The icing on the cake for me is that for a planar its relatively easy to drive, so I can use it around the house easily. The graphs show comparative measurements on the same rig – and without an ear simulator. I’ve also used it with various portable devices (including the HifiMan R2R2000) and with portable amps including the xDuoo XP2, Q5 and XRK NHB Portable Class A amplifier. Both have detachable cables, and both have very good padding. I really haven’t noticed any weight issues even after some quite long listening sessions. This is a purely subjective review – my gear, my ears, and my experience. The headband is nicely designed to minimise individual pressure points and distribute the weight evenly. Even in a semi-opaque or translucent window, the images are identifiable, so it's not that all the various pieces of the music don't come through on lesser headphones, it's just that all the details about the musical elements are that much more clear and well-defined on a headphone like the Ananda. Both have detachable cables and replaceable earpads. It reminds me quite a bit of the Beyer type yoke to headphone connections – only the Ananda feels a lot firmer. The Alara is a great price for a Planar – but here, the additional you pay for the Ananda is absolutely justified. How would the Ananda handle this? The specs reveal a headphone that offers a very wide frequency response, as well as a low nominal impedance. Either way – I personally don’t think added EQ is necessary. The following shows how this headphone measures relative to the HEQ compensation, which is based on the Harman target and does add a bass shelf. My testing for this section was done with Jriver Media Center feeding lossless files to an iFi Micro iDSD (power isolated by an iUSB). The cups have an oval design, but they do not have a swivel mechanism – although this is alleviated (for me anyway) by the angled pads). The $999 HIFIMAN Ananda-BT Bluetooth Over-Ear Planar Magnetic Headphone is something of a unicorn in the wireless headphone world. I found most of these short facts from a couple of interviews with Dr Bian posted online, and among the interviews were a couple of direct quotes which I found fascinating and illuminating: I started listening to a lot of music when I was in high school. Tracks used were across a variety of genres – and can be viewed in this list https://www.head-fi.org/f/articles/brookos-test-tracks.17556/. In the case of the Ananda, the results are a nominal impedance of 25Ω with a sensitivity of 103dB/mW. The two cables supplied with the Ananda are of an ultralight “wire inside tube”-design, very similar to that of the HE-1000 v2. Review unit provided on loan for evaluation by headphones.com. Personally, I really like the way it's done on the Ananda. On many other headphones, even more expensive ones, these can tend to blend together. The Ananda is quicker with transients and sounds cleaner. According to Hifiman, theAnanda’s 3.5mm headphone connector is the company’s strongest yet, ensuring years of secure, trouble-free performance. HiFiMan ANANDA-BT Wireless: The HifiMan ANANDA-BT are essentially a wireless version of the Hifiman Ananda. Both have detachable cables, and both are comfortable. The answer to that is yes, and at $1000 USD (new), that is pretty good value in my books. Customer Service Mail email@example.com Follow us at: hifimanelectronics Hifimanofficial Customer Service Tel 1-201-HIFIMAN (1-201-443-4626) ANANDA. If you know of another one, feel free to drop… Again, both are great sounding headphones with similar frequency signatures (HD800S is brighter and airier, Ananda is a little warmer and richer). I think the Ananda may even have my preferred sound signature overall, even more so than many headphones that cost thousands more. A staple in any audiophile's collection for a reason, the Andromeda is hand's down one of our favourites. With Floyd’s “Money”, the micro details from the back-ground cash registers are easily heard. The second thing is that the HD600 is airier / brighter, and leaner through the lower mid-range. Ultra-thin planar magnetic drivers make every note in your music come alive. I don’t have a headphone measurement rig and have no ear simulator – so you can’t use the graph as a representation of how the Ananda sounds. Join the discussion about the HiFiMAN Ananda at "The HEADPHONE Community". What I did notice was that the slight added warmth (2nd order distortion) of the XRK-NHB was a pleasant addition to the tonality. HifiMan Audio was founded in late 2005 by Dr Fang Bian when he was resident in New York. Upper treble – seems to be nicely extended. Specifications. There is good impact and it is both quick and clean. The Ananda doesn’t come with a balanced cable and that’s a bit of a shame. The HifiMan Ananda headphone that I’m reviewing today was provided to me as part of a world tour, and has already been shipped to the next recipient. Let us hope Hifiman sticks to the 3.5 mm. For the purposes of this review – I’ve used the Ananda from a variety of devices including my iFi Micro iDSD (with and without the VE Enterprise statement tube amp). This also redounds to improved representation of textural nuances and image structure in the music. The ear-cups are circumaural and are very comfortable for me. The Ananda is a top performer in its price class and a great value. The retail price at time of review is USD 999. At $700 the Ananda is one of the best at doing this. This is the official thread to discuss the Hifiman Ananda. Introduction. Read What CNET Called "The Best Return Policy We've Ever Seen". Amazingly detailed open-back headphones in stock and ready to ship! I think the only thing I could ask for would be a touch more air up top around 12khz, but that's just nitpicking. Mark from HifiMan reached out and asked if I’d be interested, and of course I said yes – and especially when the headphone in question is the Ananda. The Ananda comes in a large retail box with printed outer sleeve. The HD600 clamp is stronger (when new) but can be relaxed with gentle stretching. Weight is a little on the heavy side at 399 g. Instead of using a moving voice coil (to pull the diaphragm in and out from one ring within the driver), a planar uses an ultra-thin diaphragm suspended between two plates of magnets. Comfort for me is personally is extremely good. Weighting prioritizes detail, frequency response, comfort and image distinction. I've had the opportunity to review numerous other headphones in the meantime as well, so it's important to consider where the Ananda fits now - especially at the lower price tag - for anyone looking to potentially make a purchase. The lightness of the HD800S is quite noticeable with quick switching. If you haven’t read any of my reviews, I suggest starting here, as it will give you an insight into my known preferences and bias. So in my mind, if you don't want to EQ anything and you listen to a wide variety of music, the Ananda may actually be the sweet spot. Comparatively the Ananda is just cleaner and more coherent. Your email address will be kept private and you can unsubscribe any time. The Ananda was able to push sub-bass to head pounding levels if you also give it enough power to avoid clipping. The Ananda has been an instant hit for me. The following shows how this headphone measures relative to the HPN compensation, which is closer to a traditional diffuse field target and doesn't take the Harman bass elevation into consideration. My test track for this is Pearl Jam’s EWBTCIAST, and the cymbals have a nicely shimmering decay. With FiiO’s new M11 that requirement was almost 70/120 and sounded great. Inside the box is a form fitting foam enclosure covered with black satiny material (like the HD800S). HIFIMAN CORPORATION (201) 443-4626 hifiman.com For this I used the Q1ii, A5, XRK-NHB, and xDuoo XP2. The Alara is a little darker overall and sounds quite closed in. I don't EQ the Ananda at all. It is essentially a crystalline silver and copper mix which is then encased in an extremely lightweight clear polyurethane sheath. Specifications: frequency response: 8Hz – 55K Hz sensitivity: 103dB impedance: 25 Ohm weight: 14. HiFiMAN Ananda | Full Specifications: Impedance: 25, Sensitivity: 103, Acoustic design: Open, Weight: 399, Colour of product: Black; Unparalleled portable audio performance Ananda is the perfect companion for the supermini, a Sonic match made in heaven allowing you to experience sonic bliss wherever you may be. There is definite projection outside my perceived headspace (violin), and this would be one of the more spacious planars I’ve heard. Fun in the Sun. Again, both headphones share similar build materials – a mix of plastic and metal. HifiMan were right when they said this headphone is an efficient load. They were designed more for convenience than great sound. The Ananda is a cleaner and slightly brighter. The ear-pads fit completely around my ears, and the foam cushions provide softness without becoming irritable. Male vocals have good presence and richness in timbre and I’m not finding male vocalists thin or lacking. Supernano DiaphragmWhen it comes to detail retrieval, no fac The first noticeable point is that the HD600 needs quite a bit more volume / power (voltage rather than current). I had the opportunity to evaluate the HiFiMAN Ananda and Arya last year, but there are two reasons why I'm revisiting the HiFiMAN lineup in 2020. Frequency Response: 8–55 kHz. The Ananda comes with two cables – a 1.5mm” shorter cable” terminated with a 3.5mm right-angled gold-plated jack, and a 3m “longer cable” terminated with straight 6.3mm Neutrik jack. This looks like it could be fatiguing, but really it doesn't sound like that at all. In other words, the more clear that image, the better detail retrieval the headphone has. Sign up for our monthly newsletter plus the occasional special announcement. In the time I have spent with the Ananda, I have noticed no change to the overall sonic presentation (break-in). Please note, comments must be approved before they are published. The bigger brother, the HiFiMAN Arya, also has a similar frequency response, however I find it's not quite as smooth as the Ananda at around 6khz and 9khz. But using my desktop set-up and JRiver Media Center’s parametric EQ, nulling this dip out did not really enhance the sound. Comfortable over long listening sessions. As a glasses wearer there is some slight pressure from the cups (pushing the glasses to the bridge of my nose), but nowhere near as bad as the HD600/650 from Senn. The Ananda gains some ground back when it comes to soundstage and imaging. Overall balance end to end in the frequency response – quite exceptional. The Ananda is a bit heavier – although I still don’t find it fatiguing over long periods. The frequency response consistency is amazing. The Ananda was advertised as being easy to drive, and I guess this is why HifiMan included the shorter 3.5mm cable. The Yokes attach to the earpieces using two serrated small bolts per side. Phenomenal audio performance with superb sense of space, accurate bass, and lovely detail throughout frequency range. The cups are large – 130 x 100 mm – and are housed in black plastic (to keep the weight down). More importantly, adding the A5 amplifier netted no real change in perceived dynamics. Wide and perfectly shaped perceived soundstage. I used a Walkman and Discman all the time because I had nothing else available to me. The diaphragm is now only 1-2 microns thick, and this should aid efficiency (ease of driveability), as well as transient response. So, let’s have a look at some real-world options and start with the lowest volume output device – my iPhone SE – and work from there. The cable is one of the strangest I’ve come across. There is a dip from 1.5-2.5 kHz, but it doesn’t appear to sound unnatural to me (there are no stridency issues). The graphs are provided merely as a point of discussion. A beautifully balanced headphone sonically, with a depth of bass extension which is highly addictive and subtly different to my experience with dynamics. If you don't already own a Sundara, however, then the notion of spending more money for the Ananda means it's worth considering what you gain by doing so. It's very easy to isolate and focus on individual instrument lines or specific parts of harmonies coming through. The other great thing with the Ananda is that it is fantastic for casual gaming (great soundstage and imaging). Cymbals hits (especially hi-hats and crash-cymbals) are present, and the trailing decay is audible and realistic – maybe a slight hint of “tizz”. The asking price of $999 is not cheap, but for me the Ananda more than justifies the expense and for the overall package, it competes extremely well (if not better than) other headphones in similar price brackets. Frequency Response: 8-55,000 Hz Nominal Impedance: 25 ohms Sound Pressure Level: 103 dB. The first is that some of them have seen price drops along the way, namely the Sundara is now priced consistently at $350 and the Ananda's current sale price of $700 puts it in a much more aggressive price bracket than its previous pricing did at around $1000. The Ananda handles it well, the sense of instruments being around you is very good. The HD800s has swivels for the ear-cups and feels as if it fits a little better. It’s hard for me to judge this area, because my hearing tops out well under 14kHz nowadays, and the measuring equipment is not accurate enough from about 9 kHz up. In terms of soundstage, the HD800S has a larger overall stage, and is more expansive. The HIFIMAN Ananda is an open-back planar magnetic headphone that many are calling an upgrade on the HIFIMAN Sundara. Overall though the HD800S is slightly ahead here. Is moderate – enough to cause undue pressure a headphone that offers a very frequency! 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