The company told Quartz at the time that the photos’ neutral caption did not indicate that Niedenthal was opposed to the content, which the platform sees as hate speech. They say while they may disagree with the reasoning, they understand why a button “that just said ‘FAGGOT’” got taken down. They asked their followers to share the poem, flooding the platform with hundreds of posts. Enjoy! Zoe Leonard’s work includes sculpture and installation, much of it politically driven… The poem, Brown and Riemer told Quartz in an email, “is among the starkest representations of the queer community’s feelings of desperation and underrepresentation at the height of the AIDS era.“. You also have the option to opt-out of these cookies. We also use third-party cookies that help us analyze and understand how you use this website. Repost @zoe_leonard_studio A post shared by #JoyToThePolls (@joytothepolls) on Nov 1, 2020 at 12:30pm PST The clip was posted on Instagram Monday, November 2nd, by Zoe Leonard … The storm surrounding the poem is a window into the tension between free expression and content moderation on Instagram. The platform has given audiences direct access to art, and is a forum for activism. Her work is able to make us rethink the act of looking itself, how moments and situations can compose a narration. Zoe Leonard: Survey is the first large-scale overview of the artist’s work in an American museum. It’s a work on paper and I made it. Leonard told Quartz in an email that although she was not on Instagram, she checked the platform’s community guidelines, and was perplexed as to … Based in New York, she has frequently captured the city’s changing urban landscape, as well as engaging with political activism and shifting notions of identity. Installation view of Zoe Leonard: Survey, November 11, 2018–March 25, 2019 at The Geffen Contemporary at MOCA, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Brian Forrest, Class Reunion: Works from the Gaby and Wilhelm Schürmann Collection, © mumok – Museum moderner Kunst Stiftung Ludwig Wien, photographs Christian Benesch, Zoe Leonard: You see I am here after all by Marc Joseph Berg, Catalog published on occasion of "Zoe Leonard: Survey" at the Whitney Museum of American Art, New York, 2018, Edited by Karen Kelly and Barbara Schröder, Catalog published on occasion of "Zoe Leonard: You See I Am Here After All" at Dia Art Centre, New York, 2010, Edited by Lynne Cooke, Karen Kelly, and Barbara Schröder, Catalog published on occasion of "Zoe Leonard. In November, for instance, Facebook, which owns Instagram, took down images of white nationalists taken down by renowned Polish photojournalist Chris Niedenthal. “The number of people that are having Zoe Leonard’s words reinforced (or introduced) is incalculable.” Instagram “in and of itself” is not the problem, they say. This website uses cookies to improve your experience while you navigate through the website. Leonard’s poem, meanwhile, had been posted to Instagram many times in the past, particularly after it was displayed as a public installation on New York’s High Line park in 2016. “These overwhelming corporate entities—we put content in there for them to make money off of and when the door is slammed you don’t know why or for what reason,” Sepuya said. Update: on Monday, Instagram clarified that the poem was being flagged by other users. More than a quarter-century after it was written, the poem made its way to Instagram—and became the center of a controversy over censorship on social media. Themes important in her research have been and still are: urban and natural landscapes and their contrasts, personal and collective memories, migration, gender. On Collective and Personal Narratives, Kunsthaus Baselland, Basel (2019); The Warmth of Other Suns: Stories of Global Displacement, The Phillips Collection, Washington (2019); Carnegie International, 57th Edition, Carnegie Museum of Art, Pittsburgh (2018); The Restless Earth, La Triennale di Milano, Milan (2017); Unfinished: Thoughts Left Visible, The Met Breuer, New York (2016); L’image papillon, Musée d’Art Moderne Grand-Duc Jean, Luxembourg (2013). It’s not reality. Sepuya’s work, which contains pretty explicit male nudity (image not safe for work), has not been censored by Instagram, he said. During the Eighties and Nineties she was activist with ACT UP (AIDS Coalition to Unleash Power) and the queer activist art collectives Gang and Fierce Pussy. By sharing your details you agree to our Privacy Policy, and will receive gallery newsletters. The show’s only brush with the digital is Leonard’s “I Want a President,” a manifesto typewritten in 1992, which recently went viral on Instagram. taken down by renowned Polish photojournalist Chris Niedenthal. “I want a dyke for president,” artist Zoe Leonard writes in her 1992 poem. Inspired by the author Eileen Myles’ run for president, and written at the height of the AIDS epidemic, the poem, “I want a president,” has since been shown in museums, galleries, and outdoor installations around the world. Zoe Leonard I want a Dyke for president. Leonard’s earliest museum images, a group of untitled photographs taken in 1984, but not printed until 1991 (reproduced in Secession: Zoe Leonard, exhibition catalogue, Wiener Secession, Vienna 1997, pp.30–1), feature two little girls in front of a display of the evolution of man. But those words also been re-appropriated by the queer community. She lives and works in New York. Zoe Leonard’s work includes sculpture and installation, much of it politically driven, but she is primarily a photographer who discards technical questions in favor of a more experiential approach to images and media. This category only includes cookies that ensures basic functionalities and security features of the website. Instagram’s art censorship is not a new phenomenon—in fact, there’s an entire book documenting instances of such censorship, which affects women and images of their bodies in particular. Not everyone who shared the poem had it removed, but those censored included some big names in the art world, including the chief curator at the Museum of Contemporary Art in Los Angeles, which is planning a retrospective of Leonard’s work. The sculpture on view, ‘Tree’ (1997), is composed of a once living tree that has […] Zoe Leonard New York-based artist Zoe Leonard balances rigorous conceptualism with a distinctly personal vision in her work, which merges photography, sculpture, and installation. Photographs" at Fotomuseum Winterthur, Winterthur, Switzerland, 2008. These are some of our most ambitious editorial projects. With a conceptualism and a poetic view on the world she works with photography, sculptures and installations. It is mandatory to procure user consent prior to running these cookies on your website. Carnegie International, 57th Edition, Carnegie Museum of Art, Pittsburgh (2018); Our website uses cookies to improve your experience. View Zoe Leonard’s 115 artworks on artnet. Dafoe, Taylor, ‘Why Zoe Leonard is the Artist We Need in Today’s Instagram-Addled Age’, on: Artnet, New York, 6 March 2018 Solomon, Deborah, ‘Review: The Whitney’s Museum New Fun Couple’, on: WNYC, New York, 2 March 2018 “But ‘I Want a President’ is different,” they say. “[…] I think the work is instinctive.” For Leonard a photograph “[…] is a subjective view. View the profiles of people named Zoe Leonard. A selected list of group shows include: Among the Trees, Hayward Gallery, London (2020); Queer Forms, Katherine E. Nash Gallery, University of Minnesota, Minnesota (2019); Histories of our time. By providing your email, you agree to the Quartz Privacy Policy. These cookies will be stored in your browser only with your consent. But whether it’s the matter of policy or technology, the nuances of language and art remain a persistent problem for the platform, which can turn some users away.Â. Zoe Leonard I started both bodies of work around the same time, in 2010–11, and although they are different in approach, they are related. Zoe Leonard. arms ache avid aeon: Nancy Brooks Brody / Joy Episalla / Zoe Leonard / Carrie Yamaoka: fierce pussy amplified, September 13 – Dec 22, 2019, installation view, Institute of Contemporary Art, University of Pennsylvania. Quartz asked for further clarification about the process by which the content had been removed, and will update with more information if Instagram responds. “The problem is that there seems to be a one-sided discussion going on about who gets to decide what content is ‘acceptable’ and there plainly are gaps in the process that have to be fixed.”, The company is trying technological solutions to address the issue of context. She has taken part in several solo exhibitions such as: Survey, Whitney Museum of American Art, New York / MOCA, Museum of Contemporary Art, Los Angeles (2018); I want a president, High Line Art, New York (2016); Zoe Leonard: Analogue, Museum of Modern Art, New York (2015); Photographs, Museum Moderner Kunst Stiftung Ludwig, Vienna (2009); You See I am here after all, Dia:Beacon, New York (2008); Photographs, Museo Nacional Centro de Arte Reina Sofia, Madrid (2008); Photographs, Fotomuseum Winterthur, Zurich (2007); Vienna Secession, Vienna (1997); Kunsthalle Basel, Basel (1997). 1,538 Likes, 70 Comments - Zoe Leonard (@zoe_leonard_studio) on Instagram: “to wrestle the world from fools #pattismith #lennykaye #peoplehavethepower #kurimanzutto…” And my truth is no more true than anyone else’s.” she said. 33.7k Likes, 892 Comments - #JoyToThePeople (@joytothepolls) on Instagram: “⚡️ The People Have the Power⚡️ Singing to voters in the streets is so punk! Quartz asked Instagram whether the Leonard posts were being reported by other users and taken down by content moderators, or whether its AI mechanisms were flagging words that could be seen as offensive. Born 1961 in Liberty, NY Lives and Works in New York, NY. By employing strategies of repetition, shifting perspectives, and a multitude of printing processes, Leonard’s practice probes the politics of representation and display. She has exhibited widely since the late 1980s and her work has been included in a number of seminal exhibitions including Documenta IX and Documenta XII, and the 1993, 1997 and 2014 Whitney biennials. Themes important in her research have been and still are: urban and natural landscapes and their contrasts, personal and collective memories, migration, gender. Zoe Leonard, who never formally studied photography, first rose to prominence after her participation in Documenta 9 in Kassel, Germany, in 1992, where she hung black-and-white photographs of female genitalia among the traditional paintings installed at the Neue Galerie. Leonard’s work has been questioned the evolution of society for decades. These cookies do not store any personal information. Through her works one can see how the act of observing can be dense and every moment anew. Leonard told Quartz in an email that although she was not on Instagram, she checked the platform’s community guidelines, and was perplexed as to why the poem had been censored. “For me photography is intrinsically about observation,” Leonard has said. ... Facebook Instagram. Several works by Leonard stemmed from the feeling of loss, also derived from friends’ dead caused by AIDS.